Waiting on the Nighttime
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#14 Sioux Sioux Studio, Part I
The studio can be brutal, man. I mean, it is hard-ass work. I’m not comparing it to some of the hardest physical labor jobs on the planet, but emotionally, it is not for the weak. Hell, I got fired off of one of the first songs we tried to record by the fucking...
#15 Sioux Sioux Studio, Part II
We had a GREAT time Friday, and Chip and I were jacked up like two little kids leaving grandma’s house full of candy bars and cake. It was fucking wonderful, and we fell in love with the process set forth by both producers. I told my wife, Julie, that she really...
#16 Icing on the Cake
As we recorded using my scratch vocals (“rough” vocals not intended for the final recording), Scavone said on multiple occasions that he heard the possibility of female vocals all over the album. He even offered up his own vocals (he’s an amazing singer in his own...
#17 Recording Vocals
The way that Scavone preferred to approach my vocals was to record four songs a day, maximum. We had an eight-song album, so this was going to require at least two more days in the studio. Most voices can only handle so much singing in a day; you can easily wear your...